From 27 April, the museum will present sculptures by Guido Geelen (Thorn, 1961). In the 1990s, this artist broke with the traditions in ceramics with his works.

The Kröller-Müller Museum acquired two works by Geelen in the early 1990s. Untitled (SPH 89) is a monumental stack of monochrome grey balls and ‘diabolos’. Untitled (N.G.I.1991, R&S93602 and 8B.C.) is a wall of undulating clay sheets covered with shiny drops of glaze, black and white on one side, seductively colourful on the other.

Ceramics In the late 1980s, ceramics was still considered a material for functional and decorative objects, such as flower pots, bowls and vases. The centuries-old craft of the potter in which innovation hardly plays a role. Within the visual arts, virtually nobody used the unruly, brittle and fragile material. At most it was used for making spatial sketches and preliminary studies for sculptures.

A place in modern art Geelen anchors ceramics firmly within the visual arts. His working method touches on that of minimal artists such as Carl Andre and Donald Judd. The large sculptures in this presentation consist of rhythmically stacked individual elements. Volume, spatiality and the distribution of mass are central to the works. The green, brown, grey and pink drips of Untitled (N.G.I.1991, R&S93602 and 8B.C.) seem to be a reference to the canvases of abstract-expressionist painter Jackson Pollock.

Images: Guido Geelen, Untitled (SPH 89), 1989, photo: Cary Markerink